The lens utilizes an 11-blade iris to create smooth, circular bokeh. Reflections and highlights in the background maintain a soft, non-distracting shape when pulling focus.
The and its subsequent full-frame iteration, the C700 FF , represent a defining chapter in Canon’s high-end Cinema EOS lineup. Released to directly compete with industry staples from ARRI and Sony, the C700 was designed as a modular, versatile workhorse for studio productions, narrative film, and high-end television.
C700 Videol’s films are immediately recognizable to collectors:
The film, directed by Nigel Dick, featured a bike race and a boxing gym, proving the camera's suitability for fast-paced action and low-light scenarios. B. "The Calling" (C700 4K)
The camera was available in PL or EF mounts, with the EF mount supporting Canon’s renowned Dual Pixel CMOS AF. Popular Videos and Filmography Shot on C700
The and its full-frame successor, the Canon EOS C700 FF , occupy a unique and legendary space in digital cinema history. Released as Canon’s flagship Cinema EOS systems, these production powerhouses were designed to compete directly with Hollywood mainstays like ARRI and RED. Over the years, the C700 series has built an impressive filmography and a collection of popular showcase videos that demonstrate its 15 stops of dynamic range, iconic Canon color science, and incredible low-light performance .
To launch the newer C700 FF (Full Frame) model, veteran cinematographer Nancy Schreiber, ASC , collaborated with director Nigel Dick on this short promotional film. The goal was to test the camera’s dynamic range, skin tones, and noise performance in a real-world, on-location production. A variety of spherical and anamorphic lenses were used, pushing the limits of the camera’s 5.9K full-frame sensor.
To understand the videos produced by this camera, you must understand its limitations and strengths.
A prominent showcase video, A Dishful of Dollars , highlights the C700 FF's capabilities in various scenarios, including high-contrast interior shots and skin tone differentiation, shot with both PL-mount anamorphic lenses (Hawk primes) and Leica primes.
The rugged, ergonomic design of the C700 allowed it to transition seamlessly from a heavy studio configuration to shoulder-mounted or Steadicam setups, securing its spot on diverse production sets. 1. Independent Feature Films & Narrative Dramas
: Most recent uploads are featured in 4K or high-bitrate 1080p , making them popular for display testing.
These projects were specifically created to showcase the C700's high dynamic range, color science, and full-frame capabilities: The Calling
The lens utilizes an 11-blade iris to create smooth, circular bokeh. Reflections and highlights in the background maintain a soft, non-distracting shape when pulling focus.
The and its subsequent full-frame iteration, the C700 FF , represent a defining chapter in Canon’s high-end Cinema EOS lineup. Released to directly compete with industry staples from ARRI and Sony, the C700 was designed as a modular, versatile workhorse for studio productions, narrative film, and high-end television.
C700 Videol’s films are immediately recognizable to collectors:
The film, directed by Nigel Dick, featured a bike race and a boxing gym, proving the camera's suitability for fast-paced action and low-light scenarios. B. "The Calling" (C700 4K)
The camera was available in PL or EF mounts, with the EF mount supporting Canon’s renowned Dual Pixel CMOS AF. Popular Videos and Filmography Shot on C700
The and its full-frame successor, the Canon EOS C700 FF , occupy a unique and legendary space in digital cinema history. Released as Canon’s flagship Cinema EOS systems, these production powerhouses were designed to compete directly with Hollywood mainstays like ARRI and RED. Over the years, the C700 series has built an impressive filmography and a collection of popular showcase videos that demonstrate its 15 stops of dynamic range, iconic Canon color science, and incredible low-light performance .
To launch the newer C700 FF (Full Frame) model, veteran cinematographer Nancy Schreiber, ASC , collaborated with director Nigel Dick on this short promotional film. The goal was to test the camera’s dynamic range, skin tones, and noise performance in a real-world, on-location production. A variety of spherical and anamorphic lenses were used, pushing the limits of the camera’s 5.9K full-frame sensor.
To understand the videos produced by this camera, you must understand its limitations and strengths.
A prominent showcase video, A Dishful of Dollars , highlights the C700 FF's capabilities in various scenarios, including high-contrast interior shots and skin tone differentiation, shot with both PL-mount anamorphic lenses (Hawk primes) and Leica primes.
The rugged, ergonomic design of the C700 allowed it to transition seamlessly from a heavy studio configuration to shoulder-mounted or Steadicam setups, securing its spot on diverse production sets. 1. Independent Feature Films & Narrative Dramas
: Most recent uploads are featured in 4K or high-bitrate 1080p , making them popular for display testing.
These projects were specifically created to showcase the C700's high dynamic range, color science, and full-frame capabilities: The Calling