Her son, Danny, was nineteen. He hadn't meant to come home. He’d enlisted in ‘78 to escape the dead-end roads and the dead-end stares. But a training accident (a torn ligament, a medical discharge, a greyhound bus ticket) spat him back into the living room he’d sworn to leave forever.
The 1980 release stood out due to its cinematic quality, moving away from the cheap "loop" style of the 1970s.
Taboo II brought back Kay Parker as Barbara Scott, this time having sex with her son's best friend, Junior, while the main plot followed a separate family's incestuous desires between a brother, sister, and mother. Later entries drifted far from the original premise, eventually exploring themes such as LGBTQ sex, anal sex, BDSM, and interracial relationships—subjects that were also considered "taboo" for their time. By the late 1980s and 1990s, the series had largely abandoned the narrative complexity of the original in favor of increasingly lurid and formulaic softcore scenarios. taboo 1 1980 new
The voice continued for the rest of side A. Stories within stories. A woman who loved her own brother in a town with no name. A painter who used only blood and ash. A child who could remember dying. None of it graphic. All of it devastating.
Not empty silence. Attentive silence. The kind you find in a church after everyone has left, or in a hospital corridor at 3 AM. She almost stopped the tape twice. But then, at 11:47 (she checked her watch), a voice began. Her son, Danny, was nineteen
Supporting Parker is a talented cast of iconic adult actors: Dorothy LeMay as Paul’s girlfriend Sherry, Mike Ranger as the object of his mother’s desire, Paul Scott, and Juliet Anderson as the worldly Gina.
Taboo was perfectly timed. As the theatrical heyday was ending, VHS tapes were beginning to dominate the North American market. The privacy of watching a pornographic film at home, rather than in a public theater, allowed audiences to explore the "further reaches of fetishism and taboo-topics" like incest. This shift was a crucial factor in the film's unprecedented success. But a training accident (a torn ligament, a
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Grossed millions of dollars worldwide, becoming a staple in both adult mini-theaters and early home video rentals.
In the context of modern Western society, the 1980s marked a significant turning point in the exploration and redefinition of taboo. This was an era characterized by a growing willingness to confront and challenge traditional norms, particularly with regards to sex, relationships, and identity. One notable example of this shift was the emergence of a new wave of artistic expression, which sought to push the boundaries of what was considered acceptable and tasteful.
Unlike standard adult productions of its time that prioritized rapid vignette sequences, Taboo prioritized a structured, psychological narrative. The film was financed and distributed through Dart Enterprises and Gloff Films, operating under a standard of technical polish that distinguished it from low-budget underground efforts. Kirdy Stevens Writer & Producer: Helene Terrie Cinematography: Guy Nicholas Music Composer: Don Great Running Time: 86 minutes